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Brooke Holve

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ath'wart press at CODEX VIII

March 19, 2022

CODEX VIII International Book Fair: April 10th through 13th at the Craneway Pavilion in Richmond

REMINDER:
I will be exhibiting artist books
under the imprimatur of
ath’wart press at TABLE 26.

What you might like to know about ath’wart press here and more at https://www.brookeholve.com/athwart-press:

ath’wart and “resistance”
—what role it plays in my art practice
—when I feel it, how I respond
—Do I react to or hold the feeling?
—Do I have other words to describe this experience? ie. willfulness, frustration, steadfastness, others?

Recently I read Roni Horn’s latest book, Island Zombie, Iceland Writings. She devoted an entire chapter to “weather reports”. We have our own internal weather reports, which for me the “resistance” front often shows up and passes through. I found her words insightful: ”The weather’s like that. If you don’t fight it, you become one with it and vanish. You cease to exist if you don’t show resistance and cunning. Some people are said to have an eye for the weather but that goes hand in hand with having an eye for life in general. They’re doubtless better hunters and fishermen and notice more things in nature.”

Resistance shapes. And it was an act of resistance that introduced me to art.

An ath'wart story:
I did not set out to be an artist and it took me awhile to proclaim that I was. My father planted the seed although at the time I did not realize it and he never did. Driving by an abstract sculpture one day he exclaimed “Why would anyone make something like that!” Internally I remember questioning   “Why would anyone make something like that?”
Little did I know at the time, that turning a statement into a question was an act of transgression and the beginning of a life as an artist. Questioning opened a way.

The Or Not - An example of an art project that would not have happened if I had not encountered the “resistance” front. Ath’wart honors the role of mistakes and the opportunities offered while working. Artist Books (extracted from The Way Things Are catalogs) will be on display at Codex VIII, Table 26.


Another ath’wart story:

Eric Johnson, founding and former director of North Bay Letterpress Arts, had an exchange with his #2 son, Dino recently. His son occasionally sends him nonsense compositions. He recently sent a two-liner picking up on the oddness of one of my favorite words.

I once fought athwart
I lost

To this Eric responded:

We had a funny moment in the shop four years ago when Brooke Holve encountered a word in a text she was studying and called out to those of us in the room: “guys, what does ATH-wart mean? We tactfully explained that it was pronounced with accent on the other syllable and that it meant across the main direction etc etc. She had the reaction that it was very funny how wrong she had been and how ignorant. From that day on, she invented ATH-wart Press…it’s all explained on that web page.

To which Dino replied:

Ha! She athwarted athwart! They said it couldn’t be done.

Just for that, a bonus, no charge, dedicated to Holve Athwart:

Greed peels sweet needle skin

Up yup hip dippy rub grape space in ripped up crumb humps?

Like you said

                         

In Artist Books, Book Fair, Art Practice Tags ath'wart press, Artist Books exhibition, Artist Books, CODEX VIII, Iceland, Roni Horn, resistance, Island Zombie, weather, Eric Johnson, North Bay Letterpress Arts, NBLA, David Ireland, The Way Things Are
Source Material and Evidence of Process

Source Material and Evidence of Process

MATERIALITY RE_MINED; Deep Within the Screen of a Cell Phone

June 8, 2021

Materiality Re_Mined; Deep Within the Screen of a Cell Phone

features an installation by two artists, Brooke Holve and Catherine Richardson.

The exhibit opens at the Seager Gray Gallery in MIll Valley on July 1 and will be on view till the end of July. The opening reception is on July 10th with a conversation by the artists at 3:00 followed by a reception from 4 - 6.

I have been collaborating with Catherine Richardson on this topic of extraction for over two years. The installation will look at the global impact of our much coveted cell phones on the environment. Digging deep into the components of a cell phone, the artists reveal connections between its “smartness,” the mining industries and humans’ relationship with the earth.

For more descriptive information on the installation, click “Press Release” below.

Press Release
Brooke Holve in Iceland
Catherine Richardson in Iceland

A PREVIEW: Plexiglass & Mixed Media, Shelves of Objects that reflect the artists’ processes, Projections and Artist Book

View fullsize Video: Clay Bubble
View fullsize The Or Not
View fullsize The Or Not
View fullsize The Or Not
View fullsize The Or Not
View fullsize The Or Not
View fullsize The Or Not
View fullsize The Or Not
View fullsize The Or Not
View fullsize JulyShelvesCLOSEup04_05_21.jpg
View fullsize Mineral Source Cards for Cell Phones
View fullsize mineral source cards for cell phones
View fullsize Mineral Field
View fullsize Copper 1
View fullsize Mine Craft 2
View fullsize Cell Notes

This installation is part of a larger movement of artists, “Art On The Edge Of The Abyss” a multimedia, multi-venue, cross-border art intervention that will investigate extractive industry in all of its forms (from mining and drilling to the reckless exploitation of water, soil, trees, marine life, and other natural resources). The project will expose and interrogate extraction’s negative social and environmental consequences, from the damage done to people, especially indigenous and disenfranchised communities, to ravaged landscapes and poisoned water to climate change and its many troubling implications

.Below are pics of the catalog/exhibition guide, published by the codexfoundation.org compiled by Sam Pelts.

View fullsize Extraction catalog
View fullsize IMG_1582.jpg

Materiality Re_Mined pgs 110 - 113 in the catalog. A digital “sketch” of our mobile phone project that seeks to expose the trail of minerals and elements mined to build the devices we depend on.

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In Art Practice, Artist Books, Gallery News, Recent Work Tags extraction project, materiality, Materiality Re_Mined, cell phones, collaboration, screens, art exhibit, installation, letterpress, Seager Gray Gallery, Brooke Holve, Catherine Richardson, David Ireland, The Way Things Are, Codex, Art on the Edge of the Abyss, ath'wart press, Sam Pelts, codexfoundation, Mining, art exhibitions, Extraction Industries, Ireland, Mixed Media, Artist Books, plexiglass, geology
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