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Brooke Holve

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Fjordur view from the town of Seydisfjordur and views of the town below:

Artist Residency in Eastern Iceland

December 31, 2022
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Off to Iceland last September for a month long artist residency at Skaftfell Center for Visual Art, located on a fjord in the small fishing village of Seydisfjordur. My fifth visit to the island as there is something about the elemental shapes and energies that continue to draw me back to its natural wonders of volcanoes, rift zones and young landscapes visibly being reshaped.

I return to feel its energies and rhythms, to experience its vastness and to open me to possibilities and conversations with and of the landscape.

Conversations with, of and off:

Evidence of the landscape organizing itself—reshaping itself in human time. The eruption site of the Meradalir Volcano on the Reykjanes Peninsula in August of 2022.

Two years ago in December of 2020, Seydisfjordur experienced an average year’s rainfall over a period of 10 days. Major landslides destroyed 13 buildings.

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Now, two years later, evidence of the landslides remain.

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displacement, dislocation, movement, shaping, change?

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A water process that shapes the landscape

During my stay, I experienced a red alert storm with winds up to 60 m per second. Evidence of the power of the winds (below); a historic pier house built around 1900 by a Norwegian entrepreneur was lost, collapsing on itself.

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There’s no everything; everything is always moving as the landscape (natural and human—made) interacts with the natural processes of wind, water and soil.

Dissolving boundaries between art and nature; merging art and earth natural processes. Video by Brooke Holve & Eve Chartrand created during the artist residency at Skaftfell Center for Visual Art.

In Artist Residency, Recent Work, Travels, Art Practice Tags Artist Residency, Skaftfell Center For Visual Arts, Seydisfjordur, Iceland, Eastern Iceland, crumpled, naturalprocesses, natural processes, landscape, artist process, materiality, materials, konnyaku, washi arts, kozo paper, David Ireland, capp street found, Capp Street House, scree, rocks, geology, Eve Chartrand, crumpled paper, Japanese papers, poetry, movement, change, volcanoes, gerunds, process, shaping, eruptions, kneading, crumpling, squeezing, compressing, rubbing, Mt Meradalir, Reykjanes Peninsula, Mt Fagradalsfjall region

ath'wart press at CODEX VIII

March 19, 2022

CODEX VIII International Book Fair: April 10th through 13th at the Craneway Pavilion in Richmond

REMINDER:
I will be exhibiting artist books
under the imprimatur of
ath’wart press at TABLE 26.

What you might like to know about ath’wart press here and more at https://www.brookeholve.com/athwart-press:

ath’wart and “resistance”
—what role it plays in my art practice
—when I feel it, how I respond
—Do I react to or hold the feeling?
—Do I have other words to describe this experience? ie. willfulness, frustration, steadfastness, others?

Recently I read Roni Horn’s latest book, Island Zombie, Iceland Writings. She devoted an entire chapter to “weather reports”. We have our own internal weather reports, which for me the “resistance” front often shows up and passes through. I found her words insightful: ”The weather’s like that. If you don’t fight it, you become one with it and vanish. You cease to exist if you don’t show resistance and cunning. Some people are said to have an eye for the weather but that goes hand in hand with having an eye for life in general. They’re doubtless better hunters and fishermen and notice more things in nature.”

Resistance shapes. And it was an act of resistance that introduced me to art.

An ath'wart story:
I did not set out to be an artist and it took me awhile to proclaim that I was. My father planted the seed although at the time I did not realize it and he never did. Driving by an abstract sculpture one day he exclaimed “Why would anyone make something like that!” Internally I remember questioning   “Why would anyone make something like that?”
Little did I know at the time, that turning a statement into a question was an act of transgression and the beginning of a life as an artist. Questioning opened a way.

The Or Not - An example of an art project that would not have happened if I had not encountered the “resistance” front. Ath’wart honors the role of mistakes and the opportunities offered while working. Artist Books (extracted from The Way Things Are catalogs) will be on display at Codex VIII, Table 26.


Another ath’wart story:

Eric Johnson, founding and former director of North Bay Letterpress Arts, had an exchange with his #2 son, Dino recently. His son occasionally sends him nonsense compositions. He recently sent a two-liner picking up on the oddness of one of my favorite words.

I once fought athwart
I lost

To this Eric responded:

We had a funny moment in the shop four years ago when Brooke Holve encountered a word in a text she was studying and called out to those of us in the room: “guys, what does ATH-wart mean? We tactfully explained that it was pronounced with accent on the other syllable and that it meant across the main direction etc etc. She had the reaction that it was very funny how wrong she had been and how ignorant. From that day on, she invented ATH-wart Press…it’s all explained on that web page.

To which Dino replied:

Ha! She athwarted athwart! They said it couldn’t be done.

Just for that, a bonus, no charge, dedicated to Holve Athwart:

Greed peels sweet needle skin

Up yup hip dippy rub grape space in ripped up crumb humps?

Like you said

                         

In Artist Books, Book Fair, Art Practice Tags ath'wart press, Artist Books exhibition, Artist Books, CODEX VIII, Iceland, Roni Horn, resistance, Island Zombie, weather, Eric Johnson, North Bay Letterpress Arts, NBLA, David Ireland, The Way Things Are
Installation view of Materiality Re_Mined; Deep Within the Screen of a Cell Phone

Installation view of Materiality Re_Mined; Deep Within the Screen of a Cell Phone

Materiality Re_Mined

July 1, 2021

Materiality Re_Mined; Deep Within the Screen of a Cell Phone

features an installation by two artists

Brooke Holve & Catherine Richardson

Opening Reception: July 10th with a conversation between the artists at 3:00pm followed by a reception from 4 - 6pm.

At the Seager Gray Gallery in MillValley and on view till the end of July.

Gallery Address and info.

108 Throckmorton Avenue, Mill Valley, CA

415.384.8288 | Wednesday through Sunday, 12pm - 4:00pm or by appointment

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In Gallery News, Recent Work, Artist Books Tags smart phones, mining, extraction, extraction project, Extraction Industries, codexfoundation, Seager Gray Gallery, Catherine Richardson, David Ireland, capp street found, Mill Valley, cell phones, mobile phones, Letterpress, geology
Source Material and Evidence of Process

Source Material and Evidence of Process

MATERIALITY RE_MINED; Deep Within the Screen of a Cell Phone

June 8, 2021

Materiality Re_Mined; Deep Within the Screen of a Cell Phone

features an installation by two artists, Brooke Holve and Catherine Richardson.

The exhibit opens at the Seager Gray Gallery in MIll Valley on July 1 and will be on view till the end of July. The opening reception is on July 10th with a conversation by the artists at 3:00 followed by a reception from 4 - 6.

I have been collaborating with Catherine Richardson on this topic of extraction for over two years. The installation will look at the global impact of our much coveted cell phones on the environment. Digging deep into the components of a cell phone, the artists reveal connections between its “smartness,” the mining industries and humans’ relationship with the earth.

For more descriptive information on the installation, click “Press Release” below.

Press Release
Brooke Holve in Iceland
Catherine Richardson in Iceland

A PREVIEW: Plexiglass & Mixed Media, Shelves of Objects that reflect the artists’ processes, Projections and Artist Book

View fullsize Video: Clay Bubble
View fullsize The Or Not
View fullsize The Or Not
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View fullsize The Or Not
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View fullsize JulyShelvesCLOSEup04_05_21.jpg
View fullsize Mineral Source Cards for Cell Phones
View fullsize mineral source cards for cell phones
View fullsize Mineral Field
View fullsize Copper 1
View fullsize Mine Craft 2
View fullsize Cell Notes

This installation is part of a larger movement of artists, “Art On The Edge Of The Abyss” a multimedia, multi-venue, cross-border art intervention that will investigate extractive industry in all of its forms (from mining and drilling to the reckless exploitation of water, soil, trees, marine life, and other natural resources). The project will expose and interrogate extraction’s negative social and environmental consequences, from the damage done to people, especially indigenous and disenfranchised communities, to ravaged landscapes and poisoned water to climate change and its many troubling implications

.Below are pics of the catalog/exhibition guide, published by the codexfoundation.org compiled by Sam Pelts.

View fullsize Extraction catalog
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Materiality Re_Mined pgs 110 - 113 in the catalog. A digital “sketch” of our mobile phone project that seeks to expose the trail of minerals and elements mined to build the devices we depend on.

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In Art Practice, Artist Books, Gallery News, Recent Work Tags extraction project, materiality, Materiality Re_Mined, cell phones, collaboration, screens, art exhibit, installation, letterpress, Seager Gray Gallery, Brooke Holve, Catherine Richardson, David Ireland, The Way Things Are, Codex, Art on the Edge of the Abyss, ath'wart press, Sam Pelts, codexfoundation, Mining, art exhibitions, Extraction Industries, Ireland, Mixed Media, Artist Books, plexiglass, geology
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