New Tools from Haystack

  fabrications digital facility at Haystack

More than a month ago, I returned from the open studio residency at Haystack in Maine; two weeks of uninterrupted time in three studios: graphics, wood and a digital fabrications facility.  I came home renewed and excited about  prospects for new work.   I went to continue further explorations with 'cutting' using new tools in the fab lab. Haystack established it in 2011 and was the result of a collaboration with MIT.  It includes a CNC router, laser cutter, 3D printer, milling machines, sign center and computer terminals,  and was staffed by two tech assistants from MIT.  I spent much time there experimenting primarily with the laser cutter.

tool of choice the laser cutter in the fab lab

There are two different cutting techniques one can employ with the laser cutter: vector and raster. Vector is more adept at cutting shapes out or into a material; raster tends to be used for engraving and making relief cuts.  I tried both and found that I preferred the raster images.  Some experimenting below:

 

rastarized repeat image of basalt to be a cover for a book

back cover of book using raster technique

My goal was to make work that looked like it was not done with a machine. Image selection and treatment of materials contributed to the look.  More examples below:

basalt images rastered on plywood treated with walnut ink, acrylic and organza silk

slice of basalt image rastered into book  cover treated with layers of book cloth and organza silk

Wind image rastered into treated book board with acrylic and organza silk

wind image rastered into painted book board. Line in image due to second cutting of board

I also spent some time in the wood working studio. While there I observed one of the participants working with stacks of wood and realized that I could use a similar approach with book covers.  Her primary tool was a scroll saw.  I came home and purchased one!

my new scroll saw!

 

Other highlights:

the "dead calm" of Maine

 

 

 

 

 

 

 

 

 

"makings" released

 

Makings.FinalPanels (1)(1)

 

Jesse Olsen Bay's CD, "makings",  was recently released.  It is a collection of twenty songs that he created from unpublished writings of his grandmother, Tillie Olsen,  known for her books, short stories, and essays about lives of women and working class people. She called her unpublished writings, "Blueys",  since she used blue sheets of paper for  jotting down ideas, notes, bits of poetry and prose,  and an occasional comment.

Last Fall, Jesse approached me to create  art for the CD cover.  The image above is the result.  However, during the process I presented  several options from which he could choose.

 

Brooke Big Collage 2 smallerBrooke Big Collage 1

 

ice samples

 

Brooke Art 2

Brooke Art

 

PRESENCE at C-14 Contemporary Arts

  PRESENCE

 at the Barlow, a new gallery

C-14 Contemporary Arts

Promotional card 4-9_Page_2

I am pleased to be one of the nine featured artists. We are:

Teresa Camozzi, Martha Channer, DebraLea Comstock, Dave Gordon,

 Brooke Holve, Colin Lambert, Craig Mitchell, Fred Vedder,  and  Martha Wade

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The exhibit, curated by Satri Pencak,  runs from May 1st through June 15th.

There will be an opening reception on Saturday, May 10th from 5 - 8pm.

I hope that you will be able to join us, meet the artists and hear about what we will be doing.

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C14 At the Barlow | 6780 Depot Street, suite 100 | Sebastopol, CA 95472 | 707.827.3020

Gallery Hours: Tuesday - Saturday, 11 - 6, Sunday, 11 - 5,  Closed Mondays

Open Studio Residency at Haystack

Recently I applied and was accepted to Haystack's Open Studio Residency. Haystack Mountain School of Crafts is an international craft school located on the Atlantic Ocean in Deer Isle, Maine. The school offers intensive studio-based workshops in a variety of craft media. The Open Studio Residency, now in its second year,  provides two weeks of uninterrupted time to work in six studios (ceramics, fiber, graphics, iron, jewelry, and wood) to develop ideas and experiment in various media.  The program accommodates approximately fifty participants from a variety of creative disciplines. Participants can choose to work in one particular studio or move among studios depending on the nature of their work.  All of the studios will be staffed by technicians who can assist with projects. Haystack's fab lab will also be open, providing an opportunity for experimentation with digital fabrication as a way to augment and complement  creative practices. This new artist studio, established in 2011 in collaboration with MIT Center for Bits and Atoms, offers another way of looking at craft in a broader context. I will travel to Maine for the residency that runs from  May 25th through  June 6th.  While there I intend to continue my exploration of "cutting" as theme and process as it relates to material and form. I intend to rotate among studios, observing and collecting sensory data from each of the crafts.   My question is how I can translate this data into new ways of seeing, using the new media in the fab lab. I don't pretend to know the possibilities but am curious to  explore other ways of finding forms that are referential to its making.

 

Exhibitions

Currently I am showing work in three venues: Sometimes Books    11101 Hwy One St 105 Pt. Reyes Station, CA 94955 Hours:  12 - 4,  Sat & Sun & by appointment 415 669- 1380  sometimesbooks@gmail.com Exhibition Dates:  March 1 - June 1st

Petaluma Regional Library    100 Fairgrounds Petaluma, CA  94952 Exhibition Dates:  Mar 1 - June 1st

 

Sometimes Spring 2014 copy

 

Marin MOCA   Altered Book Exhibition 500 Palm Drive  Novato, CA 415  506 - 0137 Exhibition Dates:  April 19 - May 24

altered book show flyer

 

 

 

 

 

More on "The Poetry of Printing" at RiskPress

   

 

 

imageimage-1

AndBut_1 on display at RiskPress

Brook_Holve-books_(8_of_31)Brook_Holve-books_(11_of_31)

"The Poetry of Printing"


exhibition runs till February 23rd at RiskPress Gallery in Sebastopol.  The gallery hours are Tues - Sunday, 11 - 7 and I will be sitting the gallery on Wednesdays from 11 - 3.  Stop by if you are in the area.

There also is a poetry reading,  A Speak Easy - Sounds in Print,  on February 16th, 2 - 4 and printing demos every Friday afternoon.

RiskPress Gallery  7345 Healdsburg Ave. Sebastopol, CA 95472

Iota's "The Poetry of Printing" at RiskPress

Iotians are busy this month preparing for the exhibit in February. Mark your calendar!

Iota Press & Co-op present:

 


 The Poetry of Printing

The Poetry of Printing

Featuring letterpress works by Megan A. Arnold, Serena Coltrane-Briscoe, Lyn Dillin, Lucille Friesen, Judi Goldberg, CK Itamura, Eric Johnson, Maia Kobabe, Tiana Krahn, Tami Lovett, Lin Max, Katie Nealon, Birgit Neilsen, Micah Schwaberow, Ash Weiss and me.

February 1 - 23, 2014

Opening Reception: Feb 1,  3 - 7

Love Letter Writing:  Feb 6,  5 - 9

A Speak Easy - Sounds in Print: Feb 16, 2 -4

Printing demos every Friday afternoon

Gallery Hours  11 - 7    Tues - Sun

RiskPress  Gallery  7345 Healdsburg Ave. Sebastopol, CA 95472  Contact: iota@sonic.net

Please stop by and be prepared to experience a wonderful exhibit!