I continue to work at this press on Thursdays, making artist books and broadsides under the
imprint of ath’wart press. Each year I reflect on how fortunate I am to have discovered this
place and the printers who work here. Come by on Sunday and help us celebrate all that is offered!


Holiday Open House

Sunday, December 9th
1:00 PM - 4:00 PM

Free! Donations encouraged.

North Bay Letterpress Arts
925d Gravenstein Hwy SO
Sebastopol, CA 95472

Join us at the print shop for our annual open house! Festivities include: handmade
books and cards, printed artwork, food & drink, delightful conversations, shop tours,
and printing demos. See you there!

I couldn't help myself!


LET IT BE (here)









    LET IT BE (there)




Talk Back letterpress broadside by Judi Goldberg & Eric Johnson

Once We Knew letterpress broadside by Judi Goldberg

outwith construction by Brooke Holve (from Cuts Make You. exhibition at the Morris Graves Art Museum)

"Cuts Make You": a process played out


"Cuts Make You" colophon


tape hatching "bluebies" on scroll


Early this year, I completed a collection of five artists books, entitled "Cuts Make You" in response to my solo exhibition, Cuttings, at Risk Press Gallery (Sebastopol) in October of 2013.   For the exhibition, I installed an empty scroll book, inviting those who attended to mark it with blue masking tape and blue ink pens (refer to image above).  Upon the closing of the exhibit, the unfurling revealed a motley but contained collection of writing, scribbles, lines, tape and words. These marks became the prima materia for Cuts Make You.

Upon the closing of the exhibit, I cut up, printed upon and cut into the scroll, applying the similar methods that attendees used during the exhibit. Applying tape randomly to the surfaces, I printed over it with a die cut of the floor plan of the gallery to reference the place of the exhibit. Over and on the masked tyvek, I printed to cut out new spaces. Cutting and printing generated pages and ideas. The result is a series of books that hold and reference the archival and ephemeral of the exhibit.


Clamshell Box containing 5 artist books with pamphlet covers; 9 x 13 x 3.67 inches


Pamphlet Covers; each 7 x 8 x .25 inches


one of the artist books with remains from "cutting" process


Page spread of masking tape used to "cut out" parts of the schematic die cut


Detail of masking tape prints

Haystack 'overlooked': Stonington Public Library.

Stonington Public Library.

As a way to process and document my experience at Haystack last summer, I made 3 artist books which I hoped might capture a bit of my time there, the surrounding place as well as experiences in the studio.  The books are a collection of 'sorts'.  They are made from materials that I gathered: book pages from the Deer Isle dump, others from my CA. studio; old Maine maps purchased from Karna's shop in Belfast, ME;  stone images, laser cut and printed onto wood veneer and book pages; milk paint, encaustic wax and coffee sticks from the Haystack dining hall.

stonington Public Library.


Upon reviewing the colophon that I had written, I realized that I had repeated the word, "overlooking" several times.  The word suggested to me that I rethink what I was making.  My direction shifted and the word, "overlook" became a focus.

Definition of "overlook"


These books are a beginning of an exploration of form with the word, "overlook" as a focus.

More on "The Poetry of Printing" at RiskPress





AndBut_1 on display at RiskPress


"The Poetry of Printing"

exhibition runs till February 23rd at RiskPress Gallery in Sebastopol.  The gallery hours are Tues - Sunday, 11 - 7 and I will be sitting the gallery on Wednesdays from 11 - 3.  Stop by if you are in the area.

There also is a poetry reading,  A Speak Easy - Sounds in Print,  on February 16th, 2 - 4 and printing demos every Friday afternoon.

RiskPress Gallery  7345 Healdsburg Ave. Sebastopol, CA 95472

Iota's "The Poetry of Printing" at RiskPress

Iotians are busy this month preparing for the exhibit in February. Mark your calendar!

Iota Press & Co-op present:


 The Poetry of Printing

The Poetry of Printing

Featuring letterpress works by Megan A. Arnold, Serena Coltrane-Briscoe, Lyn Dillin, Lucille Friesen, Judi Goldberg, CK Itamura, Eric Johnson, Maia Kobabe, Tiana Krahn, Tami Lovett, Lin Max, Katie Nealon, Birgit Neilsen, Micah Schwaberow, Ash Weiss and me.

February 1 - 23, 2014

Opening Reception: Feb 1,  3 - 7

Love Letter Writing:  Feb 6,  5 - 9

A Speak Easy - Sounds in Print: Feb 16, 2 -4

Printing demos every Friday afternoon

Gallery Hours  11 - 7    Tues - Sun

RiskPress  Gallery  7345 Healdsburg Ave. Sebastopol, CA 95472  Contact:

Please stop by and be prepared to experience a wonderful exhibit!


'Cutting' as Process, Form & Making

'Cutting' is on my mind as I prepare for the 'Cuttings' exhibition.  In an earlier post, I wrote that I have been letterpress printing at Iota Press--printing the matrix for a book that I am calling "Cuts Make You".  As a way to brainstorm for it,  I have been printing synonyms for  'cut'.  The list is getting longer;  here is a selection:  clip, incise, sever, saw, select, dissect, section, fragment, bisect, survey, amputate, behead, miter, dice, chop, hurt, edit, wound, part, blinks, focus, prune slice, die, edged, snippet, excise, shun, snip, trim, crop, divide, piece, mutilate, lop, mince, frame, cleft, segment, slit, split, blaze, truncate, curtail, rift, curt, decapitate, shear, partition, trim.  Post if you should come up with more words!

Iceland Travels:

Back to Iceland,  a land of elemental forces in shape of volcanoes, geysers, glaciers, rivers, waterfalls, ice and wind.   It's a  land that is continually making and unmaking itself.

Rebecca Solnit in her latest book, The Faraway Nearby, wrote that "These are the forces that will flourish no matter what goes extinct, where the poisons migrate, and how the weather changes. The sun will rise, the winds will blow, the waves will lick the shore, the earth will tilt on its axis so that there is more light in summer, less in winter, rains and snows will fall, if not as they used to, and the waters will turn to solid ice and melt again. This is the world that existed before life and will exist after us."

making and remaking iceland

 Back to the studio:

As I explore 'cutting' as process and form, I am interested in how I might apply this process to a material and arrive at a form that refers back to its making. This is a focus at the moment and I was inspired by the basalt formations in Iceland.  More to come.....